Dramaturgy and Architecture: Theatre, Utopia and the Built Environment, Palgrave Macmillan, London. 2015.
Dramaturgy and Performance, with Synne Behrndt, Palgrave Macmillan, Basingstoke, 2nd edition, 2016.
Articles in journals
‘Learning to Write Spaces’, Contemporary Theatre Review, 2013, 23:2, 114-119.
‘Walking Women: Shifting the Tales and Scales of Mobility’, with D. Heddon, Contemporary Theatre Review, 2012, 22.2., pp.224-236.
‘Walking Women: Interviews with Artists on the Move’, with D. Heddon, Performance Research, ‘Fieldworks’, 2010, 15.4, pp.14-22.
‘Writing for the contemporary theatre: towards a radically inclusive dramaturgy’ Studies in Theatre and Performance, 2010, 30.1, pp. 75-90.
‘Spatial Planning and Mis-Guidance: Dramaturgies of Public Space’, Contemporary Theatre Review, 2010, 20.2, pp.150-162.
‘Something to Glance Off: Writing Space’, Journal for Writing in Creative Practice, 2009, 2, 2, pp.217-230.
‘Getting the “now” into the written text (and vice versa?): developing dramaturgies of process’, Performance Research, 2009, Vol. 14, no. 1, pp.106-114.
‘Surviving Text: Investigating Writing for Experimental Theatre of the 1970s and 1980s (The Freehold, Impact, Lumiere and Son)’, Performance Research, ‘On Generation’, 2004, Vol. 9, No. 3, pp. 9-22.
‘Intervention 5: Say: “Parsley”‘ by Caroline Bergvall and Ciaran Maher’, Performance Research: ‘On Text’, 2002, Vol. 7, No. 2, pp.129-31.
‘Cutting It Up: Fragments and Ruins in Julia Barclay’s New York Theatre’, Performance Research: ‘On Editing’, 2002, Vol. 7, No. 1, pp. 57-63.
‘Framing the Site’ in ‘Site-Specific: The Quay Thing Documented’, Studies in Theatre and Performance, 1999, Supplement 5, pp.23-40.
Chapters in books
‘The International Festival and the City Space: The Dramaturgy of the Local’, with Stephen Hodge in Dramaturgies in the New Millennium: Relationality, Performativity and Potentiality, 2014, ed. K. Pewny, J. Callens, J. Coppens, Forum Modernes Theater, 44, pp.111-129.
‘Porous Dramaturgy and the Pedestrian’, in K. Trencsényi and B. Cochrane, New Dramaturgy: International Perspectives on Theory and Practice, 2014, London: Bloomsbury, pp. 199-213.
‘Performance and the Stratigraphy of Place: Everything You Need to Build a Town is Here’, with Wrights & Sites, in The Oxford Handbook of the Archaeology of the Contemporary World, 2013, eds. P Graves-Brown, R. Harrison, A. Piccini, Oxford: OUP, pp.149-166.
‘Manifesto for an Everyday Walking Culture: Dealing with the City’ with Wrights & Sites in Nicholas Whybrow (Ed.), Performance and the Contemporary City, Palgrave, 2013. Originally published in Performance Research 11.2, (2006), pp.115-122.
‘Site’, with Stephen Hodge in D. Heddon and J. Klein (Eds), Histories and Practices of Live Art (UK), 2012, Basingstoke: Palgrave, pp.91-121.
‘WalkWalkWalk: A Subjective Re-Mapping of a Project’ (2009), in WalkWalkWalk: Stories from the Exeter Archive, 2009, London: Site Projects, pp.30-31.
‘Writing Dialogues: Hare in collaboration’, in R. Boon (Ed.) The Cambridge Companion to David Hare, 2007, Cambridge University Press, pp. 109-122.
‘Brecht’s Galileo: Between Contemplation and the Command to Participate’ in Peter Thomson and Glendyr Sacks (Eds), The Cambridge Companion to Bertolt Brecht, second edition, 2006, pp.143-159.
Magda Romanska (Ed.), The Routledge Companion to Dramaturgy, Routledge, New York and London, Contemporary Theatre Review, 2016, 26.3.
Katalin Trencsényi, Dramaturgy in the Making: A User’s Guide. Bloomsbury: London, New Theatre Quarterly, 32.1, Feb 2015, pp.101-2.
Alan Short, Peter Barrett, and Alistair Fair with Monty Sutrisna and Giorgios Artopoulos. Geometry and Atmosphere: Theatre Buildings from Vision to Reality. Ashgate: Farnham and Burlington, 2011. Modern Drama 56.2, Summer 2013, pp.266-268.
Pearson, Mike, Site-Specific Performance, Contemporary Theatre Review, Palgrave: Basingstoke, 22.3, August 2012, pp.425-6.